Spend some time in the company of the guests at 'Wentworth' - all taking the waters except for the Colonel and Miss Howard, who has some leisure for the beginnings of a late romance. Gossip, bicycle rides, rounds of golf, bridge in the evenings and preparations for the charity concert all make time pass most pleasantly - don't they?

Miss Howard's exhibition of water-colours at the Green Salon falters but then takes off. The season at 'Wentworth' is now drawing to a close, peoples' plans for the winter unfold. Florence, for the first time in her life, refuses to go off with her selfish old father. Miss Howard has some momentous news, and the Colonel must make a very brisk about-turn.

Four friends' attempts to find employment and accommodation pits them against landlords and gangsters in Bangkok.

When Charlie and his family move to a warmer climate for the sake of his father's illness, he finds himself teetering between battles of the thought of losing his father with a conflict he has with a ferocious bully at school.

Tuyul reimagines the story of the Indonesian urban mythical spirit. Young couple Daniel and Mia move into Mia's recently deceased mother's old house to save up money before the birth of their first child. After cleaning up one of the rooms, Daniel finds a bottle hidden mysteriously underneath the broken wooden floor. The empty bottle might be home to a creature that could potentially put Daniel, Mia, and their unborn child in danger.

A spirtual successor to Manny Velazquez's underground independent cult horror film Savage High (2015) that is a prequel and a sequel together taking place before and after the events of 'Savage High' exploding now involving a b-movie actress's cousin Kamila Sanchez (played by Angie Velazquez) is kidnapped by a madman who will not stop until he get's his revenge upon the actress Delia Fox (played by Adriana Carradero).

这部电影以印度史诗《摩诃婆罗多》为蓝本进行重新演绎，从第二位般度五子之一毗摩塞纳（Bhimasenan）的视角展开叙述。

An intimate portrait of Marie Leo, a Sto:lo woman who was adopted into a Líl̓wat family as a baby. Marie’s gentle narrative of her remarkable early childhood demonstrates a deep connection to culture, land and family that continues to endure. This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Líl̓wat Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about Líl̓wat culture, histories and knowledge.

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A man contacts the dead.